A Myna for Maree

Indigenous birds are our most treasured, but this Ponsonby identity has won a few hearts. My friend Maree raised an orphaned myna bird from a chick, and now it’s part of the family, when it chooses to be.

Peeking puppetwise over the guttering, a street urchin myna joins us for coffee one Sunday afternoon.
I think her name is Clementine, for the miner 49er, and his light-footed daughter.
She’s hilariously trusting – which is a bit of a worry,
even though the cat has no less than seven bells.

Maybe, if she turns out to be he,
he can be Gavroche – the Paris street-kid from Les Mis!
He certainly employs all that one’s cockney charm –
feet planted wide, tilted hat,
cheeky grin – a tiny David, undaunted by we tall Goliaths.

He hops after the car like a dog and right on into the house where he takes refreshing baths in the kitchen sink,
fluffing up the grey and white feathers on his breast and dipping his beak (or her one)
yellow as a traffic light pole
spatter, spatter, spatter! Oh dear, more cleaning!

Tilting her head like she’s totting up a shopping bill, she follows our conversation – drinking in voice tone
and tugging at my shoelaces in case they’re tasty.
She deigns to accept bits of jammy scone
but is too sensible to actually sit on hand –
oh, but then she jumps on Maree’s knee after all.
A loveable rogue – eyeing us up shrewdly –
curious as a crook.

I think of Ping on the Yangtze River –
or that robin that visited by my tent once to sit on my sleeping bag as I read my book, near Flora hut.
She dances and struts in front of a mirror and poses for a blurry photo
almost squashed up against the phone;
the beak appears as a slash of yellow paint.
A cocky, fragile opportunist,
of somewhat short life expectancy I fear –
All cockney rhyming slang and rude words;
she haunts the cafe on Richmond Rd
stealing the froth off cappucinos
hen hiding among legs when expelled in disgrace
(for numerous sins – especially pooping).

Already the odd feather short from a brisk feline encounter,
She’d better keep her wits about her or she’ll lose the lot.
She has her own lodgings in Bird City,
which is the phoenix palm in the garden, along with the sparrows and pigeons.
It’s such a privilege to hobnob with this little alien person;
to be trusted seems like a miracle.

She’s just young and gets tired quickly;
soon she falls asleep on my foot – and makes my day.

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Mountain Boulder on Ruapehu

I thought, if a river can be a person, why not an old boulder? And if so, what kind of person would it be? Perhaps, like us, that depends on the weather…

The fogged up ice lies moulded to the old boulder,
clinging to the grey cracks
and sliding in silver circles over the pebbles beneath like eyes of a bird

That stoic old gargoyle; what a great gnarly toad,
carved out by a cudgelling time
I feel him shivering a bit as he squats; he’s holding up the mountain,
whatever the weather
as duty requires, doesn’t have to like it,
A cold soldier.
Could be he’s remembering warmer days from long ago
Hugging his family, all nestled in close like bear cubs in the hot, pot-belly of the earth
Nice and snuggly and melty
Till that catastrophic, tectonic day when they all bust through the crust – pow!

Now, meltwater runs under his chilly icecoat
it pools erratically and wiggles down tickly
like swish-tail tadpoles and weird amoeba from before the invention of DNA
Mercurially merging and splitting between ice and rockface.

Cold stone stands his ground.
Enduring floodwater and searing wind
Avalanche and ice fracture
Burrowing roots, hail

Dour old troll with drips off your nose – you’re a craggy old Atlas!
On a nicer day, I’ll come back and cook up some hot soup on one of your flat bits.

 

River – Am I

Rivers have huge spiritual significance for Maori, and in March of 2017 the Whanganui river was given the legal status of a person. This poem celebrates this beautiful river, right from his or her beginning, running down inside a trampers raincoat high up in Tongariro National Park.

River – am I… in winter
like a loose thread from a jersey
slowly unravelling and weaving its helix tickle down a leg
I finger twist a curvaceous cutting
in the rock       mud       silt
time – I have

I am a skier on a slalom run, easing my knees into each arc,
sculpting with gravity and molecular sweep
I am a navigator swinging a compass
pivoting on an imaginary point as I dance in radial swirls and moons down my mountain.

A child am I, running at my leisure and humming as I trace a stick
In Sses down a windy beach
deep into the outer curves and lightly pulling through the diagonals  –

A lilting flute is my voice, tangled in polyphony
with oboe, fiddle and korimako –
My jewellery shall be the sparkle of ice
hanging in ghostly pendants and crystallising out over eddies
like maps of crinkly fiords –

But soon, away from glitter of sun and moon,
far from snowfall and silver alpine grass,
I am digging
peeling away like a gong
deep into shadow –
deep under black boulder and tangled root
Heavy fall of damp leaf and moss
The journey of the pit lies before me –
The cleft gorge so deep that the vein of sky, thousands of meters above
Is always sapphire dark –

I am just a painterly thread, but I know how to wait…
Other voices, songs and melodies will fall in with my theme
Wellsprings of floodwater and ooze,
seeping marshlands and spitting cataract
The spill off dying branches
and plink…

From layered veils of leaf –
All feed my song

Snowflake and hail, sleet and slurry – all join my liquid road,
sloping down to the great river – The Whanganui
And silty soft and fishy full,
we sing our songs and meander in coils through the folded valley,
through the crushy green of swaily forest,
pouring down brown into the sea itself.
My mountain was an island
on the continental shelf

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