Moss Games in the Iris Burn

Thick moose moss grows in Fiordland
in the probable absence of any moose
Waterfalls of moss,
Oceans of it (how can there be so much)
Pungent groves of seaweed in the air
A heavy matrix catching water droplets
Like treeish stars
– Look, you’re floating in it –
Wafting in green light, breathing green mer-light
in half-mixed paint pot underworld hues
An inside out pond tentacled with spongy fingers
holding water for the mountain.

Do participate in the activities on offer:
try swamp dancing – balancing on a sinky waterlogged raft – hold those soggy boots upright or whoops – capsized again.
Flop on about the comfy mattress if you like waterbeds
(not so good for finding dropped tent pegs or hair ties ever again)

The moss goes down forever –
reach an entire arm into billowing waves
Will there indeed ever be firm ground?
Dark watery pools and caves hide, depth uncertain,
Snuggled into coves of beech tree bole or craggy bays of roof plate – all gloomed with strange faces and forms
Welcome to Spookers

Dive into the clear cold Iris Burn as it dances puckishly through the story…
but not for long….
Fumble through the layers of fur coat like a Narnia wardrobe
– outcome iffy –
will it be rough granite, slithery root or entish armpit?
Mostly your weight settles on something like mattress springs and you’re on your way just fine…

Ghosts of trees and bits thereof
shoulder in under the minty duvet like piles of dirty washing or a cat.

Half dying or losing arms and legs doesn’t matter much in tree land.
You’re still part of the family, part of the game
no need to feel left out!

But footfall is unpredictable
Lean just there, and it’s into the pit for you!
The seat of my overtrou needs blister tape now  – they’ll never be the same.
Oh it’s all a bit tiring by the end of the day –
but here’s a nice sandy river bank for the red tent.

Better hope it doesn’t rain.

 

Whio / Blue Duck

There be angel visitations, here,
in the silence,
in the upland wilds
As I wash socks by night, all seated by the burn,
Sleek little porpoises – beaks thrust forward like drink bottle spouts
dipping their heads
What do they eat in this pristine water?
The pairs keep touch with a sweet lisping whistle
whio,     whio….
Answered by a quick
– Clack clack clack clack – 
from the percussion section-

They scare an anachronistic shag up onto a branch
Snaking it’s long beaked head on its long neck-
in annoyance
Their universe is not mine – these angels
They barely notice my presence
focussed solely on clear water
and each other
sliding by my world … and vanishing.

Just One Day

In just one day we can create a world
A hidden cove on the Island of O
An egg inside a tempest, bounded by walls of sleep
A castle of rain warmed by fire –
my mountain hut
Comfy as a round teapot
or a hot bowl of coffee

The O of a curly cat
unharassed and quite at peace
not bothering to please anybody
A day for story and tangential oddities –
dreaming up moomins, momeraths and the moon
A solo day for song notes and noticing –
allowing ambivalence

A footnote day – not the main narrative
Solitude is rain sinking into soil,
into soul…
Slipping like stories into the substrata
Go away sun – you mean duty and being sensible
I think we can do without you
for just one day.

 

At Mita Bay

Let’s be harum scarum hillbillies
forever and a day
We’ll be runaway hippies hiding out by the shore
We’ll surface in the morning
in the glow of a watermelon tent
beside the silken sea

Chuckly choclatey ducks will putter in and out, stealing our chips
and icecream kereru will loom on leafy branches –
French vanilla and blueberry

Peter will rattle about after runs
making cups of tea in bed
and when we feel like it
we’ll sleep like mars bars under stars

Kids  can tear around yelling
and waving their sticks
Or nesting like birds and wetas
in the crooks of old trees

Our chairs will be logs
and our table a stump
but lollipop lilos we’ll have for our beds
so our dreams will be soft and loftily luscious
Lullabies we’ll have of ruru echoing
and wake up to tui and magpie chortling

When the sun hits the tent and we’ve dozily read a chapter or two
We’ll run straight from our sleeping bags and dive like dusky dolphins
into the silken sea

 

Frost Secrets in the Wetlands

Hairy whiskers grew inside my tent last night
There they are  – sprouting all furry from my orange balloon
and shedding like dog hair onto my sleeping bag
as I shift to find my water bottle
Mmm – it’s frozen too.
Spiky air prickles my nose like nettles but it’s warm in bed.

Unzip the world –
A line drawing develops in the first light
twiggy bracken and twisted webs sketch discrete silver outlines
Parabola tussocks draw random spirally doodles
while birds talk quietly about cold.
The old matai filters the first glints of lacquered dawn
and I squeeze on cold-stiffened boots.

Sudden hints of colour spark into existence and my fingers freeze –
a dragonfly lightshow; fireworks of shattered light
I think the swamp is talking in light-code
playful grasslands glittering with chromatic chatter
green red orange argent and gold
My swamp is exploding into spherical diction
precise as insect wings
Can you decrypt ice-speak?

Soon the grasses are nodding and shrugging
as the sun warms them
Rainbow marbles wheel down arcs of grass blades
some roll in
some roll out
dripping conversationally
Some will seep into little ponds and streams
and some will rise as mist

frost gone –
message erased

 

Kokako encounter at Tunawaea

Christine and I take the Tawa line –
This weekend we are rat trappers in a hidden valley
Lovely Tunawaea, nestled behind the folds of back blocks King Country
and guardian to an elusive bird…
We pursue a wiggly web of markers and bait stations
the pair of us at sea on waves of ridges,
like Pericles setting out from the island of Tyre –
Off we go trustingly following from point
to numbered point
and matching them up with our chart
Christine does the odds and I’m the evens –
Where on Earth is north in all this waggle?
I can tell when the sun comes out

We stop for sandwiches, Christine and I,
in a tawa cathedral
We pause to gaze up the dim columns
ethereal and vanishingly tall,
hazed with a fresco of leaves against light
Dripping banks of kidney fern glow green in candlelight
like a cloak of blown glass fragments
wrapping the soft logginess of the damp sponge floor
But this place has an extra gift for us;
This cathedral has a choir:
Kokako

Ghostly divas in an invisible circle
weaving gentle magic
It feels like eavesdropping on mellow love songs from a lost world
It sounds like the haunting creak of an old swing
Strangely resonant, languid and drooping out of key
Sighing wine glass harmonics heavy and full
Low modal voices leaning into each other
to sing in otherworldly harmony,
the plangently intimate conversations of forest beings
who are utterly indifferent to us on the ground –
beguiling bells that would taste, if they could,
of dark plums on the edge of overripe.

Perhaps they are like gleams of sunlight concentrated into sound –
Energy escaping from one form to another –
Light fall distilled into eerie oboe antiphony
Pooling light, pooling water unspool in sound –

Who can spin the golden sunlight into song?
Who? Who? Who?
Kokako can!
And who can gather the loose skeins of silver rain and give them form again?
Kokako can, kokako can!

The richness of the trees
and the fullness of the earth
combing out the mist and weaving matter into music
teasing out strands of energy into soft waves
belling, welling…

Days later, I’m still open-eared for reedy tubish sounds but there’s really nothing like it.
For me there was a sense of grace but also of loss.
Our kokako choir was an evocation of a past I was born too late for –
remade in imagination as if through curtains of mist,
from fossils, stories and bones –
a dream of an ancient untouched Aotearoa
like a great beached waka,
Alive with vast forests and giant eagles
loud with bird song,
Once were moa
Once were huia
Please don’t leave us, kokako

 

Photograph: Jacqui Geux

 

The Ice Man

In fugutive silence
Under cover of darkness
in the witching hour
a flinty graffiti artist slopes along
Spiky cartoons, he draws, and leggy figures
The ice man

He scatters spicules of snow in geometric flecks
Catches time in mid tick like a stopwatch
Splinters the river into shattered fossils
ferns, feathers and fish bones
forms clocks of ice with crazy fissured angles
and cutting edge architecture –
a chaotic kitchen, gazing at the stars
open to the stars
complete with icicle cutlery,  he’s proud of his icicles

Magics up a looking glass world of ice and fire
castles and kaleidoscopes
immediate as an ice axe but old as Saturn
whose moon, Encephaladus, is rumoured
to harbour ice-covered oceans

We three follow soon after with the sun – in rarefied air
poking holes and slithering on the steps
crunch, click and snap
oh look – there’s a gap toothed kraken creeping up out of the pool under the bridge

If you taste it, it’s cold as electricity but rather gritty
Peter tests a frozen tarn and gets one wet foot
We sit on our raincoats in a friendly triangle
cooking up hot noodles and dividing an apple
Max’s tripod helps keep the billy warm

 

Words

They are hitchhikers and stowaways from our past
that happened to come along for the ride with us
Such treasure! Better than cathedrals
You can keep your Mona Lisa – words need no security system
Just keep using.

They are nuggets of humanness
So irrepressible – you try telling a word to shut up –
Each is the perfect crystallisation of an idea:

 ambivalence     tantamount      taonga
quizzical      dank

They form around the germ of a notion:

disconcerting     chirrup      warp
Antarctica      tundra     whiff

Or a feeling:

huddle     grit      umbrage      quail
ardent     tendentious     outrage    bruise

What a gift for us all:

kerfuffle     crumple    musafir   nostril    consummate    merry

Some get lost along the way –

Did you know that a ream used to mean the ripple made by the nose of a swimming otter?
That dimmity once meant twilight?
Or that a shippen was a shelter for cattle left open on one side?

Drop them one at a time into some pond into your mind
let them ripple out in welling concentricities
Where did they come from?
How did this
Come to express exactly that
So beautifully?

 

Skinny Dipping in the Heaphy River

Wading out of the irk of endless chatter
Escaping nutrition advice and gear talk into the salty air
I step down white bookshelves of sand,
grainy as parchment – creamy as snow

I pass driftwood scarecrows and gnomes,
the pre-historic beak of a dinosaur bird
and taniwha with following eyes.
In the soft moth-light of late summer dusk
I walk into the sea-change
There’s a subversive prickle of risk,
illicit delight and fear of discovery –
Beware the fearsome nipping sandflies and the clothes collecting swoop of current…
No hesitation – gasp

Oh but it’s delicious! like cold whipped cream
pillow slip soft and pure as a magic flute
I’m dissolving!
The candour of clear water!
How far down into Earth does the river seep?
breathing as the pale earth breathes –
She sends the mist of the day’s end
from mountains out to sea –
cool calm resurges and peace
singing the lunacy of tides in witch-light
and turning the birds egg stones –
I share the space with a solitary shag,
dipping like a teapot –

Memories surface of other swims and swoosh together,
imagination sinks through sand to other swimmers
in other times and seas and waves
Solitary solace wells into togetherness
sliding into the universe
Surrendering weight, surrendering separation,
like a temporary death,
brimming with the fulness of the tide –
and then to bed!