Thick moose moss grows in Fiordland
in the probable absence of any moose
Waterfalls of moss,
Oceans of it (how can there be so much)
Pungent groves of seaweed in the air
A heavy matrix catching water droplets
Like treeish stars
– Look, you’re floating in it –
Wafting in green light, breathing green mer-light
in half-mixed paint pot underworld hues
An inside out pond tentacled with spongy fingers
holding water for the mountain.
Do participate in the activities on offer:
try swamp dancing – balancing on a sinky waterlogged raft – hold those soggy boots upright or whoops – capsized again.
Flop on about the comfy mattress if you like waterbeds
(not so good for finding dropped tent pegs or hair ties ever again)
The moss goes down forever –
reach an entire arm into billowing waves
Will there indeed ever be firm ground?
Dark watery pools and caves hide, depth uncertain,
Snuggled into coves of beech tree bole or craggy bays of roof plate – all gloomed with strange faces and forms
Welcome to Spookers
Dive into the clear cold Iris Burn as it dances puckishly through the story…
but not for long….
Fumble through the layers of fur coat like a Narnia wardrobe
– outcome iffy –
will it be rough granite, slithery root or entish armpit?
Mostly your weight settles on something like mattress springs and you’re on your way just fine…
Ghosts of trees and bits thereof
shoulder in under the minty duvet like piles of dirty washing or a cat.
Half dying or losing arms and legs doesn’t matter much in tree land.
You’re still part of the family, part of the game
no need to feel left out!
But footfall is unpredictable
Lean just there, and it’s into the pit for you!
The seat of my overtrou needs blister tape now – they’ll never be the same.
Oh it’s all a bit tiring by the end of the day –
but here’s a nice sandy river bank for the red tent.
Better hope it doesn’t rain.
There be angel visitations, here,
in the silence,
in the upland wilds
As I wash socks by night, all seated by the burn,
Sleek little porpoises – beaks thrust forward like drink bottle spouts
dipping their heads
What do they eat in this pristine water?
The pairs keep touch with a sweet lisping whistle
Answered by a quick
– Clack clack clack clack –
from the percussion section-
They scare an anachronistic shag up onto a branch
Snaking it’s long beaked head on its long neck-
Their universe is not mine – these angels
They barely notice my presence
focussed solely on clear water
and each other
sliding by my world … and vanishing.
Hairy whiskers grew inside my tent last night
There they are – sprouting all furry from my orange balloon
and shedding like dog hair onto my sleeping bag
as I shift to find my water bottle
Mmm – it’s frozen too.
Spiky air prickles my nose like nettles but it’s warm in bed.
Unzip the world –
A line drawing develops in the first light
twiggy bracken and twisted webs sketch discrete silver outlines
Parabola tussocks draw random spirally doodles
while birds talk quietly about cold.
The old matai filters the first glints of lacquered dawn
and I squeeze on cold-stiffened boots.
Sudden hints of colour spark into existence and my fingers freeze –
a dragonfly lightshow; fireworks of shattered light
I think the swamp is talking in light-code
playful grasslands glittering with chromatic chatter
green red orange argent and gold
My swamp is exploding into spherical diction
precise as insect wings
Can you decrypt ice-speak?
Soon the grasses are nodding and shrugging
as the sun warms them
Rainbow marbles wheel down arcs of grass blades
some roll in
some roll out
Some will seep into little ponds and streams
and some will rise as mist
frost gone –
Christine and I take the Tawa line –
This weekend we are rat trappers in a hidden valley
Lovely Tunawaea, nestled behind the folds of back blocks King Country
and guardian to an elusive bird…
We pursue a wiggly web of markers and bait stations
the pair of us at sea on waves of ridges,
like Pericles setting out from the island of Tyre –
Off we go trustingly following from point
to numbered point
and matching them up with our chart
Christine does the odds and I’m the evens –
Where on Earth is north in all this waggle?
I can tell when the sun comes out
We stop for sandwiches, Christine and I,
in a tawa cathedral
We pause to gaze up the dim columns
ethereal and vanishingly tall,
hazed with a fresco of leaves against light
Dripping banks of kidney fern glow green in candlelight
like a cloak of blown glass fragments
wrapping the soft logginess of the damp sponge floor
But this place has an extra gift for us;
This cathedral has a choir:
Ghostly divas in an invisible circle
weaving gentle magic
It feels like eavesdropping on mellow love songs from a lost world
It sounds like the haunting creak of an old swing
Strangely resonant, languid and drooping out of key
Sighing wine glass harmonics heavy and full
Low modal voices leaning into each other
to sing in otherworldly harmony,
the plangently intimate conversations of forest beings
who are utterly indifferent to us on the ground –
beguiling bells that would taste, if they could,
of dark plums on the edge of overripe.
Perhaps they are like gleams of sunlight concentrated into sound –
Energy escaping from one form to another –
Light fall distilled into eerie oboe antiphony
Pooling light, pooling water unspool in sound –
Who can spin the golden sunlight into song?
Who? Who? Who?
And who can gather the loose skeins of silver rain and give them form again?
Kokako can, kokako can!
The richness of the trees
and the fullness of the earth
combing out the mist and weaving matter into music
teasing out strands of energy into soft waves
Days later, I’m still open-eared for reedy tubish sounds but there’s really nothing like it.
For me there was a sense of grace but also of loss.
Our kokako choir was an evocation of a past I was born too late for –
remade in imagination as if through curtains of mist,
from fossils, stories and bones –
a dream of an ancient untouched Aotearoa
like a great beached waka,
Alive with vast forests and giant eagles
loud with bird song,
Once were moa
Once were huia
Please don’t leave us, kokako
Photograph: Jacqui Geux