Escape

for my mother


I will put up the red tent under my apple tree
and imagine a new world:

Here I am in wild Fiordland again
where the kea cry out their songs of fire and anarchy
ringing from mountain to mountain –
Where the whio coo and clack their haunting love duets
and korimako chime like bells in the misty forest
Where robins sit pertly on my boots
kiwi scream in the night
and owls echo

echo

While here in this world we wait for the daily count of new infections
We queue like sagging puppets for food
Spaced out around the Countdown carpark

passive        obedient        confined

I will put up the red tent and steal away
The wildlands are still out there
The rivers still run clear
Morning mist still rises
and mountains do battle with the sky

Even the weather must do their bidding

1973, Jan, 16004, Darrans, Kea near Homer Tunnel, Cathy Newhook, CN 01 03

 

Moss Games in the Iris Burn

Thick moose moss grows in Fiordland
in the probable absence of any moose
Waterfalls of moss,
Oceans of it (how can there be so much)
Pungent groves of seaweed in the air
A heavy matrix catching water droplets
Like treeish stars
– Look, you’re floating in it –
Wafting in green light, breathing green mer-light
in half-mixed paint pot underworld hues
An inside out pond tentacled with spongy fingers
holding water for the mountain.

Do participate in the activities on offer:
try swamp dancing – balancing on a sinky waterlogged raft – hold those soggy boots upright or whoops – capsized again.
Flop on about the comfy mattress if you like waterbeds
(not so good for finding dropped tent pegs or hair ties ever again)

The moss goes down forever –
reach an entire arm into billowing waves
Will there indeed ever be firm ground?
Dark watery pools and caves hide, depth uncertain,
Snuggled into coves of beech tree bole or craggy bays of roof plate – all gloomed with strange faces and forms
Welcome to Spookers

Dive into the clear cold Iris Burn as it dances puckishly through the story…
but not for long….
Fumble through the layers of fur coat like a Narnia wardrobe
– outcome iffy –
will it be rough granite, slithery root or entish armpit?
Mostly your weight settles on something like mattress springs and you’re on your way just fine…

Ghosts of trees and bits thereof
shoulder in under the minty duvet like piles of dirty washing or a cat.

Half dying or losing arms and legs doesn’t matter much in tree land.
You’re still part of the family, part of the game
no need to feel left out!

But footfall is unpredictable
Lean just there, and it’s into the pit for you!
The seat of my overtrou needs blister tape now  – they’ll never be the same.
Oh it’s all a bit tiring by the end of the day –
but here’s a nice sandy river bank for the red tent.

Better hope it doesn’t rain.

 

The Ice Man

In fugutive silence
Under cover of darkness
in the witching hour
a flinty graffiti artist slopes along
Spiky cartoons, he draws, and leggy figures
The ice man

He scatters spicules of snow in geometric flecks
Catches time in mid tick like a stopwatch
Splinters the river into shattered fossils
ferns, feathers and fish bones
forms clocks of ice with crazy fissured angles
and cutting edge architecture –
a chaotic kitchen, gazing at the stars
open to the stars
complete with icicle cutlery,  he’s proud of his icicles

Magics up a looking glass world of ice and fire
castles and kaleidoscopes
immediate as an ice axe but old as Saturn
whose moon, Encephaladus, is rumoured
to harbour ice-covered oceans

We three follow soon after with the sun – in rarefied air
poking holes and slithering on the steps
crunch, click and snap
oh look – there’s a gap toothed kraken creeping up out of the pool under the bridge

If you taste it, it’s cold as electricity but rather gritty
Peter tests a frozen tarn and gets one wet foot
We sit on our raincoats in a friendly triangle
cooking up hot noodles and dividing an apple
Max’s tripod helps keep the billy warm

 

The Vanishing House

 There is a house on Grange Road, near the bottom on the south side.
Number 100.
I think that’s a clue that herein lies a secret…
one hundred what?
A hundred-year-old witch?
A princess asleep for one hundred years?
one hundred years of solitude?

Meanwhile, a forest is growing
A tall frangipani is tangled to the top
in wisteria, jasmine and rose.
A great dark puriri leers
The brown wooden gate has been pulled off it’s hinges by ivy
and mixed vines half smother the peeling garage.
The hedge is so weedy and overgrown that I’d need to be riding a horse to see over it.

The garden path forks as you step down round a corner.
One way is clearly more travelled –
the other, houses the bins, but used to go round the back.
Once tidy hydrangeas and lasiandras, now wild and wonderful,
almost obscure everything.
but peering through like a wondering prince
I can still see sturdy brown posts
and much mildewed cream weatherboards, fret work and finials splotched by lichen.

Two rough brick chimneys tower like turrets
on either side, the other houses carefully pretend nothing is going on
Their hedges are trimmed ship-shape,
Their stone walls are chiselled to weedless perfection:
“We don’t hold with that sort of thing”, they say.
“Not in this demographic!”
So of course, princess and all, it simply doesn’t exist.